It’s very different than a lot of what you’ll see out there – which is very fast, very rapid. That’s kind of what I’ve tried to do with my visuals. “One of the things that I love are folk tales. I remember looking at the screens and going ‘That’s what I want to do!’”Īfter taking a few years to develop his ideas, he began performing live in 2000. It was the first time that they were really doing live visuals with the band, and to me it was just like everything I wanted.
#How does tipper do live visuals software
It was actually Candace Brightman, and they were using the toaster, which was this brand new mega camera mixer software – a crazy psychedelic thing that nobody had ever really seen before. There was nothing that I had seen like that. “In ‘93, the second year that I went to Vegas, they brought out these screens, and it blew my mind. His next show, however, changed the trajectory of his life from that point forward. And I chased it, you know, as we say, I chased the sparkle.” 5/30/92 was a double rainbow show – I had no idea what to expect at all.” Singer reminisced of the experience. Everyone raised each others level.”įueled to create, Singer can trace his fascination with the psychedelic scene back to the first Grateful Dead concert he attended at the Silver Bowl in Las Vegas in 1992. I also grew up with a huge amount of friends that always inspired one another. “She taught me about production… we worked on plays together as I was growing up. “My mother was a huge inspiration!” Singer noted. His early years included helping his mother produce a local magazine in Culver City, where he discovered a passion for his ability to develop an idea from beginning to end. He can trace most of his artistic roots back to his upbringing. Growing up in Los Angeles, as you can imagine, everything was going on.” Singer said, “As you can see in Venice, nowadays, you can imagine the ’80s – where Hip Hop was fresh, skating was fresh – you know, stuff was happening where hobbies for people at the time were growing up and turning into jobs…” Trying to participate in that world in LA – which is a tough, but a great thing, because anytime you’re in an environment like that – having competition always allows you to raise your level instead of staying stagnant. Having helped consistently advance the art of VJ-ing, Singer has been moving lights and painting stories for well over two decades.
One way major artists like Dead & Company, Tipper, and Shpongle ensure they’re consistently bringing their A-game is by employing visual wizards like Johnathan Singer.Ī lifelong creative, Johnathan Singer is something of a legend in the Moving Visual Art world.
This may not be unusual now for bar shows and smaller venues, but when your fans are paying sometimes hundreds of dollars to see you perform, you better make sure you’re consistently delivering. While this may seem commonplace to some in this day and age, back in the early ’90s the majority of stage setups consisted only of sets of spotlights, with the back wall typically reserved for an oversized display of the headliner’s logo. After all, no matter how much you love a band’s song, one can only listen to Africa by Toto SO many times, right? In fact, for most major acts, if you’re not consistently elevating your stage setup and performance, you may start to bore even your most die-hard fans. Gone are the days of just stationary or moving lights for arena shows – it’s all about LED screens and 3D projections now. If you’ve been to a festival or any major concerts over the past few years, you’ve probably noticed some innovations happening around the stage.
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